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Friday, 02 May 2008 |
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From Music Think Tank:
There’s a myth being perpetuated these days that recording costs are approaching zero. I think it’s fair to say that most musicians today could make a decent
demo-quality recording themselves for a negligible amount of money. But
to suggest that most artists can create a professional quality,
commercially viable recording at almost no cost is misleading. Making a
great recording that can capture people’s attention in a very
competitive music environment still requires a reasonable investment of
money and time.
Click here to read the entire blog.
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Friday, 28 March 2008 |
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When it comes to recording an album project where you’re the artist,
you’ve got a lot of big decisions to make that will ultimately
influence the way your project sounds. In other words, the more you do
to prepare yourself before the record light comes on, the more
enjoyable the process and the product will be.
Click here to read to full article.
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Friday, 19 October 2007 |
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You want your CD to sound perfect. You want fans to love it as much
as that record that's been their favorite since they were a teen.
To have the best recording experience and maximize the quality of
your recording.
http://www.discmakers.com/music/ffwd/record.asp
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Wednesday, 17 October 2007 |
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Analog for a stereo mix is still my favorite, but
it’s not a use-all cure-all. If you use quality digital gear, it can
sound great. Analog tape does help even out a mix, so long as you don’t
over-do the (elevated) level
http://www.getsigned.com/jvest38.html
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Monday, 15 October 2007 |
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While the days of demo tapes are gone, this article still has some valuable advice on what record companies are paying attention to when you send in your demo.
http://www.audio-recording-center.com/article-demo-tape.html
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Monday, 15 October 2007 |
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Not
long after the rush and release of writing a song, comes the
realization that you will need to record it. And while we hate
to write anything in stone, especially things related to the
creative process, there are, nonetheless, several recording
Facts of Life that you should be aware of.
http://www.taxi.com/faq/recording/home-demo.html
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Monday, 15 October 2007 |
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I'm always amazed by how many people working in home studios think you
need a $750,000 console, a 48-track digital machine, an arsenal of
$2,000 microphones, and tons of outboard gear to make your tapes sound
"professional." It's just not true.
click here
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Monday, 15 October 2007 |
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Best practices for capturing your beats in the studio or in your bedroom.
http://www.tapeop.com/magazine/bonuspdfs/gooddrums.pdf
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Monday, 15 October 2007 |
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Tape-Op is an essential magazine for recording engineers of all
levels. Here Garrett Haines gives advice on getting the best vocal
recording out of your setup.
http://www.tapeop.com/magazine/bonuspdfs/tipsforrecordingvocals.pdf
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