Recording
History of Recording PDF Print E-mail
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Thomas Edison is commonly given credit for inventing the first recording device, the cylinder phonograph in 1877.  Edison was influenced by earlier work on the telegraph and telephone by Alexander Graham Bell who turned sound waves into electrical current and back again with his telephone demonstration in 1876. Danish inventor Valdemar Poulsen patented the a working magnetic recorder in 1898 using recording onto a magnetic coil.  German engineers Fritz Pfleumer and Herman Bucher began recording on magnetic tape in 1935, debuting their “Magnetophone K1”.

Bing Crosby’s gift of a reel-to-to-reel tape recorder to guitarist and inventor Les Paul launched the era of multitrack recording In 1953 Paul built an eight-track tape recorder and Ampex Corporation released the first commercial multitrack recorder in 1955.

Denon and the record label Decca pioneered digital audio recording in the mid 1970s. Digital recording converts the audio signal into electrical signals - on/off pulses - rather than electro-magnetic signals. Digital recording and the development of the Personal Computer revolutionized the recording industry as it brought high-quality multitrack recording to the masses.

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The Recording Studio PDF Print E-mail
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Typical recording studios consist of one or more soundproof “live” rooms, or studios , where microphones are set up to capture the sounds from vocalists and instrumentalists, and a control room where the sound is routed through equipment designed to manipulate the sound, most notably the mixing console. and. audio processors, and monitored through reference monitors  which are loudspeakers that have a flat frequency response.  Most modern studios capture audio using a digital audio workstation or DAW, a general purpose computer with digital recording software.

The producer typically controls the recording session and subsequent mixing and mastering processes, this role is filled by a “professional” producer for most commercial recordings, but artists often act as producer for independent and demo recording. One or more recording engineers operate the studio equipment, including the mixing console, DAW and microphone setup and placement

Depending on the scope and intent of the project, recording can be done one instrument or track at a time, or in any combination of tracks. For example, a solo singer/instrumentalist may choose to record only his instrument in one performance, or take, or he may desire to record both voice and instrument in one take. The audio output of each instrument or voice is recorded on a discrete track in the recording software program, giving the artist or producer the ability to manipulate existing tracks and add additional tracks, called overdubs.

Once all recording and overdubbing is complete,  the project is mixed down from multiple tracks to two stereo tracks, using outboard equipment or computer-based processors to tailor the sound of the individual tracks to create the desired mix. The mix is then mastered, the mastering engineer uses analog and computer-based processors, i.e. compression, equalization, and noise reduction to assemble a master which contains the final file ready for replication; The master is in digital format for Internet distribution or delivery to a duplication facility for CD production.

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Home Recording or Project Studio PDF Print E-mail
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In the late 1980s availability of inexpensive multitrack analog recorders and subsequently, personal computers allowed more and more musicians to build nearly-professional home studios,  with many of the functions of a pro studio- mixing console, processing “plug-ins”, digital editing, etc. - in a PC. Today almost all “demo” tracks and many production albums are recorded in project studios.

Home studios typically combine the professional studio’s control and live rooms, with the artist as engineer and producer. Minimal equipment would include a personal computer, an audio interface, microphone and digital recording software.  Sound quality for live recording in home studios is limited by the acoustical properties of the recording room and effective soundproofing.

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